Composer Daniel Pemberton tells IndieWire about coming up with out-of-this-world sounds for the latest Lord and Miller film, ...

Movie scores have the power to elevate the performances onscreen, enhancing the emotion of the moment, whether that be fear, sadness, or joy. Without composers, movies leave audiences with piecemeal ...

Daniel Pemberton used a classroom full of kids, a wood block and a squeaky faucet to make his out-of-this-world music for ...

On the wall of film composer Daniel Pemberton’s studio in London is a row of stringed instruments: two electric guitars, an ...

Cast and crew breathing and vocalizing together. Banging giant metal plates in a London warehouse. Inventing impressionistic vocal colors for the Elizabethan era. Hiring a 90-piece orchestra to ...

For Netflix’s anti-war drama, nominated for best picture and best international feature, Oscar nominee Volker Bertelmann embraced the haunting and thundering sounds of war. By Scott Roxborough Europe ...

What are the hallmarks of a Christopher Nolan film? Immense IMAX imagery. Starry ensembles. Long takes. Tight, geometric compositions. Nonlinear story. And, of course, a booming score. “The film’s ...

For composer Bryce Dessner, working on a film like Sing Sing was all about defying expectations in the score. Though the film takes place in a prison, the story itself avoids the usual stereotypes of ...

When director and co-writer Aneesh Chaganty’s screenlife thriller Searching first premiered at Sundance in 2018, the excitement surrounding the film was palpable. Quickly snagged by Sony Pictures, it ...

It’s a tale as old as time, but with a horror twist. Adding another layer of emotion to the characters in Belle is the highly effective score by composer Matt Orenstein. Composers have been known to ...

The HBO Original documentary ELIZABETH TAYLOR: THE LOST TAPES, directed by award-winning filmmaker Nanette Burstein (“Hillary,” “The Kid Stays in the Picture”), debuted on Saturday, August 3rd on HBO ...

Erick Massoto is a Brazilian writer who's always loved film and TV and loves finding connections between them. That's why he supports double features, especially if they are of a modern film paired ...