A dozen nationally and internationally known artists will showcase their contemporary printmaking processes on RIT’s campus during a workshop that concludes with a final exhibition and auction.
UI printmaking Assistant Professor Terry Conrad has created artwork inspired by tagging along with a research mission studying tiny creatures called foraminifera, a group of single-cell organisms able ...
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Photos | Artists go beyond the frame at Pajaro Valley Arts printmaking exhibit
This week’s Photographer’s Eye features photos inside the Porter Building abuzz with activity and creativity as exhibit “Over ...
From its earliest days, printmaking has always been a collaborative process. Designers, engravers, printers, and publishers each had a role to play in the development of a finished, published work.
Sarah Sense (Chitimacha), “Does Water Have Memory?” (2017), dust grain photogravure, CMY photo-lithograph, woven, 15 x 19 in (gift of the Map(ing) project director from the ASU School of Art to ASU ...
Posy Press, which uses eco-friendly risograph prints, adds a pop of color to Goat Farm Arts Center’s ongoing construction: ...
This Sunday, the organization PrintHouston is presenting an event called "Rockin' Rollin' Prints." It features the creation of 51 large-scale prints made by the rolling of a literal steamroller. It's ...
Usually when someone refers to an idea that “looks good on paper,” the concept might not actually work in practice. In the case of a new exhibition at the Casselberry Art House, the phrase refers to ...
Martin Harris, “Fannie Engraves a Copper Plate” (ca. 1947), gelatin silver print, 9 15/16 × 8 13/16 inches (Fine Arts Museums of San Francisco, gift of Robert Flynn Johnson, courtesy estate of Martin ...
Mo’Print, short for Month of Printmaking, is a volunteer-organized biennial celebration of original, handcrafted prints that stretches across Colorado. Launched in 2014, the event pulls together ...
Most printmaking requires big, heavy equipment — something individual artists don’t have and most likely can’t afford. In 1996, artists Anne Cushman and Claire Hagan – each wanting a place to make ...
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