Al Nelson, Gwendolyn Yates Whittle, Juan Peralta, Gary Rizzo and Gareth John talk about blending emotion and spectacle on Joseph Kosinski's hit.
Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...
Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...
Imagine you're driving on a lonely country road, the sky erupting in a bright orange sunset on a mild winter day. You're sitting back on the headrest when you hear the familiar intonations of the ...
When you think of the perfect soundstage, or rather, the pinnacle of pristine audio, the environment you're picturing is probably not going to be inside a vehicle. Sure, high-quality vehicle audio ...
Electric vehicle engines are almost silent. They’re so quiet, automakers have to add sounds to warn pedestrians and cyclists that EVs are approaching. To avoid collisions, the National Highway Traffic ...
Today's electric cars sound like vehicles from a sci-fi movie. They emit sounds ranging from ethereal to high-pitched whines to rocket-like noises and simulated flatulence. Those sounds pair with slow ...
Today's electric cars sound like vehicles from a sci-fi movie. They emit sounds ranging from ethereal to high-pitched whines to rocket-like noises and simulated flatulence. Those sounds pair with slow ...
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